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Day 800

Churchagogue of the day

March 9th, 2014



Built in 1906, today's Baptist Temple was originally home to Congregation Ohab Zedek (photo), which in 1912 "thrilled worshipers" by hiring the renowned European cantor Yossele Rosenblatt. (Last year we passed by Congregation Anshe Sfard, where Mr. Rosenblatt was later employed.) The following "classic Rosenblatt shtick" shows the great regard in which the famed tenor (a few of whose recordings you can listen to here) was held:

A young cantor billed himself as "The Third Yossele Rosenblatt."

"And who," he was asked, "was the Second Yossele Rosenblatt?"

"Feh!" he replied in disgust, "Everyone knows there could be no Second Yossele Rosenblatt!"
In 2009, concerns about the building's structural stability led to part of its facade and roof being torn down. Google Maps has a cool new feature that allows you to see all the Street View images taken at a certain place over time; you can use it here to see what the Baptist Temple looked like before its partial demolition and during its subsequent reconstruction.




This building opened in 1913 as the Mount Morris Theatre. The following year, four local burglars were arrested after cleaning out a nearby tailor shop and stashing the stolen goods in the theater. A cop spotted the theft in progress and followed the men back here, imitating a stumbling drunkard so as not to arouse their suspicion. After other officers arrived on the scene, the police raided the building. The thieves attempted to escape, but the cops pursued them through the theater, "even into the fly loft, jumping and swinging through space like a bunch of bats."

A few years later, according to a piece in Cigar Aficionado written by Groucho Marx's son, a preteen Milton Berle got an early career break here when he was hired to appear with Irving Berlin one evening, singing Mr. Berlin's "Oh! How I Hate to Get Up in the Morning" from a box beside the stage, skirting a child labor law that prohibited children from performing on stage at night.

As World War I was raging, the newly formed Institutional Synagogue began meeting here. In a speech at the synagogue in 1918, not long before the passage of the Sedition Act, Congressman Julius Kahn said he had been informed that many neighborhood residents were opposed to the war. He then "told [the] large audience . . . that immediate and direct measures must be taken by the Government to silence all individuals and organizations that raise their voices against the war", exclaiming to the cheering crowd:

"When a seditious or traitorous voice is raised here . . . I hope the hand of the law will reach out and grasp the speaker. I hope that we shall have a few prompt hangings, and the sooner the better. We have got to make an example of a few of these people, and we have got to do it quickly."
At the end of 1919, the theater reopened as a burlesque house. By 1932, "it was featuring Latino stage and musical performances", and continued operating as a series of Spanish-language theaters, most notably El Teatro Hispano, until at least the mid-1950s. You can see a 1934 drawing of the building here.

Day 800


Day 799




That's the Washington Bridge (which is different from the George Washington Bridge) on the left and the Alexander Hamilton Bridge on the right.

Day 799

The old Coliseum Theatre

March 8th, 2014



When it opened in 1920, the Coliseum (photos) was the city's third-largest theater, a 3,500-seat movie and vaudeville house. It was still showing films as recently as 2011, although it had become a multiplex by that point, with a good chunk of the original theater converted into retail space.

The program from the Coliseum's opening night is available online. It contains several pages of historical information, and even a little social commentary:

Eighteen hundred years ago, the people of the greatest city of that day came to another Coliseum for their "entertainment." The Romans loved a welter of blood. Slaughter was sport. Gladiatorial combats were recreation for the Emperors, the aristocrats and the mob.

"Entertainment?"

We sit in a magnificent palace, luxuriously appointed, and laugh. But we have only lately done with the most murderous war in the history of civilization.

"Civilization?"

Perhaps the Romans laugh.
The program goes on to claim that the theater occupies the former site of "the famous old Blue Bell Tavern, teeming with memories of Colonial days, Revolutionary days, and days when the Republic was young", where "scores of the most celebrated statesmen, diplomats and soldiers America ever produced . . . once had their 'nips' and their beverages prepared for them". For, you see, "the Blue Bell was no ordinary hostelry, where drinks were sipped only by citizenry of low repute and no standing. The Blue Bell was distinctly a tavern with a lineage."

That all sounds a bit overblown, but the Blue Bell was indeed a well-known tavern in then-rural northern Manhattan. It was notable enough that the Museum of the City of New York crafted a small-scale replica of it, "re-created in wax, perfect in even the smallest detail", for a historical exhibit in 1930. And it did stand somewhere around the present-day intersection of Broadway and 181st Street (pictured above), although sources vary on its exact location.

There are two great tales of romance, in which love triumphs over wartime allegiances, that took place at the Blue Bell during the Revolution. The first occurred in the early days of the war, after the Americans had been driven out of Manhattan. Colonel Johann Rall (or Ralle), a commander of German troops fighting for the British, made the Blue Bell his headquarters. And that's when things started to heat up...
[The tavern-keeper] had a pretty sister, whose charms smote one of Ralle's aides so powerfully, that he proposed marriage within twenty-four hours after they first met. He was a fine-looking young Anspacher. He promised to remain in America when the war should be over, and vowed eternal fidelity to her. The maiden's heart was touched, first with sympathy, which speedily became transformed into the tender passion. Her mother consented to the marriage, but her brother stormed. The gallant Ralle, who had passed through a similar experience in his own country, favored the union, and on the evening before his departure from the Blue Bell, the lovers were united in marriage, in the secrecy of the colonel's room, by the chaplain. The bride followed her husband in the chase of Washington across New Jersey, and the young Anspacher was slightly wounded, and was made a prisoner when his commander fell at Trenton. Refusing to be exchanged, he took the oath of allegiance to the newly-declared republic at Morristown, and settled in East Jersey, where many of his descendants are now living.
The second story was recalled in the mid-1800s by Major Robert Burnet, at that time a 90-year-old veteran whose "mind was clear, and [whose] memory of the events of his earlier life was marvelous." At the end of the war, after the Treaty of Paris had been signed and the British were preparing to leave the city, the Americans had re-entered Manhattan and were marching south past the Blue Bell...
Just as the rear-guard had filed past the tavern, a young man, in the uniform of a British soldier, and followed by a modest-looking young woman, rushed out and beckoned to [General George] Washington vehemently. The chief halted, when the young man, in great perturbation of mind, said he was a deserter from the British army, and implored protection. He was placed in charge of Major Burnet, who took the refugee to his quarters. There he learned that the young man was a sergeant . . . who had for some time loved and was betrothed to the young woman who was with him; that her parents, who lived in the city, would not consent to her marriage unless he would stay in this country; that [the couple] had arranged a plan a few days before for a desertion on his part and an elopement on hers; that they were to meet at the Blue Bell and be married, and there wait for the protection of the approaching American troops. Their plan had worked well. She, on pretense of visiting an aunt at Bloomingdale, had made her way on foot to the Blue Bell. He had managed to escape the sentinels at the unfinished hospital, on Broadway, in the darkness of a rainy night, and, under its shadow, had also made his way to the Blue Bell, where they had been married, the day before, [in the clergy-less style] of the Quakers, by declaring, in the presence of witnesses, that they took each other for life companions, as man and wife. He showed Major Burnet their marriage certificate, signed by half a dozen witnesses. The major provided for them that night, and the next day they accompanied the troops into the city. . . .

A bard in Major Burnet's corps composed a number of verses on the occasion, of which the following are all that the veteran remembered:

   " A soldier and a maiden fair,
       Helped by shy little Cupid,
     Fled from the camp and mamma's chair,
       (Such guardians, how stupid!)
     And to the Blue Bell did repair,
       To have themselves a-loopèd

   " In silken cords by Hymen's hand.
       A parson there was lacking;
     So in the Quaker way they wed.
       The bond was signed. Then, smacking
     each other as a nuptial pledge,
       They waited for the backing

   " Of our brave troops, for Sergeant M—
       Was fearful of a banging
     By British guns, should he be caught—
       Perhaps a dreadful hanging."
When these two love stories were told in the pages of Appletons' Journal in 1873, the author summed them up with an unintentional pun that wouldn't take on its second meaning for almost half a century, until the Coliseum was built on or near the site of the tavern: "Twice, at least, the Blue Bell has been the theatre of a clandestine marriage."

Day 799



Day 799



Day 799

OF TRAC ETTIN

March 8th, 2014



Ada Louise Huxtable wrote that this former off-track betting parlor in the George Washington Bridge Bus Station "occupies the most space on the concourse and exudes an air of abandoned hope" — and that was before it closed down in late 2010, along with all the others in the city. To quote a post from two years ago:

After struggling for years, all the NYC OTB parlors were finally shuttered in late 2010. A considerable number of them, however, have managed to eke out a pathetic sort of survival, courtesy of the sluggish economy: their signs and logos, or at least traces of them, still adorn many of the vacant, unrented storefronts that once housed the parlors. The former customers, of course, have had to move on, but what has become of Jesus Leonardo? Not to worry, friends: he just keeps on keepin' on.

Day 799

Welcome!

March 8th, 2014


Day 799




Opened in 1963, this bus terminal — or "concrete butterfly" (aerial view) — was the first structure in the US designed by Pier Luigi Nervi. Like the four towering apartment buildings directly to its east, it was built on top of the Trans-Manhattan Expressway.

Day 799

Cable-dodging lamppost

March 8th, 2014



Snaking around a suspension cable on the George Washington Bridge

Day 799

Bargin’ up the Hudson

March 8th, 2014


Day 799

Double-decked

March 8th, 2014



Notice how tiny the Little Red Lighthouse looks next to the George Washington Bridge.

Day 799

Bruce Reynolds memorial

March 8th, 2014



Not the first one we've seen.

This is on the New Jersey side of the GW Bridge, so it doesn't count in the official tally of NYC 9/11 memorials.

Day 799

Sweet memories

March 8th, 2014



The north pedestrian path (pictured) on the George Washington Bridge was closed today, while the south one was open. That's been the case every single time I've walked over the bridge, with one glaring exception.